This was Helmut Kohl. I made him look a bit edgier.
Arabesque
the best songs seem to just spill out like a doodle, like automatic writing. i think one night in 2010, i picked up the guitar and pressed record. it’s evident in several places that i was pushing through even though i didn’t have a melody or words to match or both. the song’s lyrics are interesting as a picture of what was on my mind at the time. some words are unintelligible, but that is the charm of a van morrison approach. The overdubs are unabashedly feminine and i like that. i hope you enjoy this. i wanted to share something in a raw stage that was both personal and experimental. consider this my contact sheet for a future recording project.
i would love the guitars at :19 to be bassoons. that’d be sweet.
known for Chicago
coming home and I did not know
spill your milk and here I am
take a bite of a cigarette
and spit it out
head in the clouds I’m a star
you young comet, I’ve come this far
you would go and I would go
you would know and i would know
tongue-tied in told time
too much in a life, love
it’s going back
you’re going back
you’re going back
who does pass through the towns?
just to read the signs and make a sound I know
snow on the ground like Christmas day
heaven or hell I went a long way
I went away
I’m going away
going away
don’t care if the wind
the wind swept through the high dough(?)
I know— I know all the good
astro circles hover come pass yellow
astro cursive walls pillows inside
ah, Chicago, I didn’t go home
I didn’t know
wake up next to me
sharing the ecstasy
faces gone now tell me just how
how you feel this way
I hope you feel the same
quite a spectacle with which to seduce the eyes. one of the best off Achtung Baby. you know, for all they are(n’t) now, they can still play the hell out of a song.
the rest is great but 3:00 onward is all i need.
i remember
when we could sleep on stones
now we lie together
in whispers and moans
when i was all messed up
and i had opera in my head
your love was a lightbulb
hanging over my bed
tiny attic productions. view and like. view and like. view and like and share!
Rudyard Kipling’s reading of his poem ‘If’ set to a song I made a while back. The ending features the street crossing sounds of melbourne and a street vendor saying, “thanks, mate.”
thanks, mate.
LULU is coming along.
the beginnings of LULU supervillainess.
i should get an anatomy book.
have to make something today
Waiting by Raymond Carver
as featured on The Writer’s Almanac on May 25, 2001
with Garrison Keillor
the shins - simple song
a resonating love song with a fantastic video. nice use of the home video camera look.
wouldn’t a bunch of kids singing Sex on Fire really sell? well, i seemed to think so in 2009. i hope you enjoy my cover. singing in that range 15 times was probably really annoying to my parents.
mgmt ‘kids’ piano lead @ 2:00.
enjoy
favorite moment of the show. andrea grinds her toe into the curve of a mic cable.
my cover of ‘face to face’ by daft punk using phoenix samples. i like where it’s heading. happy valentines day.











